I have, as editor, recently put the 22 chapters of Mr. Cameron's Conservatory in book reading order and have written the following introduction.
The characters and story line in this work reach back to the very beginnings of the author's
writings in the fifties and his novel manuscript The Cruise of the
Ballerina which underwent numerous rewrites and publisher's rejection
slips. He later referred to it as the Yacht Novel. It was in the late
seventies that he began his major work Contemplatives.
His later studies of music instruction for beginners found its way into
this unfinished novel which takes up the threads of the Yacht novel,
weaves in the characters from Contemplatives, and sets down in fictional
form his musical theories for beginners. It recreates, for the reader,
the many music lessons and students he loved to teach and inspire over
many years.
From the author's unpublished autobiography:
After the initial terror of discovering that I was to be a writer, I
who had never reaped much satisfaction from school composition
assignments, quite quickly began to acquire a distinct mental pleasure
in what I understood was the intellectual and imaginative preparation
for the day I settled down to a story or two, and never until the rainy
autumn Sunday afternoon that I began the first draught of the Yacht
Novel did I have any doubts or complaints about my appointed vocation.
Nor did I have any dark moments, as far as I can recall, throughout the
year or so it took me to finish it, actually in two spurts many months
apart. I knew, mind you, that it was only a draught, and would require
much rewriting, although I could never have believed that this retelling
and retelling would take half-a-century.
Saturday, January 16, 2016
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